![]() O’Hara was the head of genetics at Alchemax and attempted to replicate Spider-Man’s powers. His story was a bit different from the other Spider-People. O’Hara was the first non-White Spider-Man in the Marvel comics when he was introduced to the world in 1992. His main objective is to keep the Spider-Verse intact because he’s seen first-hand the destabilizing effect of trying to alter the course of events in one dimension. He and Jessica Drew meet Gwen Stacey during a fight and O’Hara takes Gwen under his wing, begrudgingly. When we are first introduced to him, we learn that he’s the leader of an inter-dimensional effort to wrangle all of the “anomalies” that have escaped to other dimensions. Miguel O’Hara is the melodramatic anti-hero from Earth-928 in Across The Spider-Verse. She is now the star of her own ongoing series, Spider-Gwen. In the comics, the character of Spider-Gwen, created by Jason Latour and Robbi Rodriguez, made her first appearance in the 2014 miniseries Edge of Spider-Verse. The two eventually developed what seemed to be a budding romantic connection. Gwen first teamed up with Miles in Into the Spider-Verse when Kingpin’s super collider disrupted the multiverse and pulled her into his dimension. That was also the moment that Gwen’s father, Captain George Stacy, arrived on the scene and became convinced that Spider-Woman was responsible for an innocent Peter’s death. ![]() Believing she was fighting a mindless monster, Gwen battled the Lizard-only to realize it was Peter all along when his mangled body morphed back into human form. This resulted in her best friend, the Peter Parker of her dimension, turning himself into Earth-65’s version of the villainous Lizard. ![]() Spider-Man: Across the Spider-Verse is released on 1 June in Australia, and 2 June in the US and UK.After being bitten by a radioactive spider on her home world of Earth-65, Gwen was turned into Spider-Woman, the one and only Spider-Person in her universe. It’s dynamic and intriguing, though the detail and the emotion can get lost in the splurge. Viewers have been invited to identify with Spider-Man since the first adaptations of the comic book in the 60s, and are now given a choice of how to identify. Now this secret is upgraded to a cosmic range of possibilities to be Spider-Man is no longer to be alone, rather, it is to be part of a global range of Spider-people who are different. Peter Parker was unable to “come out” as Spider-Man to his parents or his friends his Spidey-ness was a core part of his bodily being, a superpower and yet a burden, introduced into his bloodstream from that spider bite. These Spider-Man movies supercharge and hyperamplify the existing potent teen metaphor of identity in Stan Lee’s great creation. Miles is threatened by an enemy connected to his original calamitous spider bite and an existential crisis looms. (This is her dad, although it isn’t immediately clear why her gender-flipped status doesn’t entitle her to a cop mom.) There’s also a Spider-Man India (Karan Soni) and a grown-up Peter Parker (Jake Johnson). Miles Morales (voiced by Shameik Moore) is a Spider-Man whose parents are naturally exasperated by his unreliability Gwen Stacy (Hailee Steinfeld) is a super arachnid in her own universe and, like Miles, has a parent in law enforcement. But there’s no doubting the full-tilt energy, the pure blizzard of narrative data and the twists and turns that it would be unsporting to reveal. Its funny jokes – including a gag about the “Spider-Men pointing at each other” meme – and poignant touches get obscured in the endless maelstrom. This second instalment features a plethora of Spideys and the result is as crazily frantic and eyeball-frazzling as ever, but with something exhausting about it now. Now we have a sequel subtitled Across the Spider-Verse – could it be that they wanted a certain Beatles track and Apple wouldn’t let them? – with a threequel (Beyond the Spider-Verse) in the pipeline. Everyone who saw it wondered how this kaleidoscopic new take could be applied elsewhere: James Bond: Across the James-Bond-Verse, or Bilbo Baggins: Beyond the Bilbo-Baggins-Verse. The Spider-Verse was a cosmos in which different Spider-folk existed in parallel: a multiverse at least as interesting as that of Dr Strange, and more interesting than the solemn awards-prestige of Everything Everywhere All at Once. Instead of yet another MCU live action version, directed and produced in that hard, depthless CGI light, Spider-Man: Into the Spider-Verse was a brilliantly inventive animated fantasia about the Spidey mythology, riffing on movies and comic books. In 2018, writers Phil Lord and Rodney Rothman gave us a delirious and utterly unexpected new web-spin on the infinite self-replication of Marvel Comics IP and its most reliable hero, Spider-Man.
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